CODEX TELLERIANO-REMENSIS PDF

The Codex Telleriano-Remen sis and Codex Vaticanus A: Thompson’s Prototype Reconsidered. Eloise Quiñones Keber. The Codex Telleriano-Remensis. Codex Telleriano-Remensis. folio03verso Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on . The Codex Telleriano Remensis is considered, by some, as the purest example of Aztec manuscript-history that we posses in the 21st century. Our reproduction.

Author: Gom Brakazahn
Country: Monaco
Language: English (Spanish)
Genre: Marketing
Published (Last): 15 February 2012
Pages: 159
PDF File Size: 16.50 Mb
ePub File Size: 17.35 Mb
ISBN: 407-7-30586-227-6
Downloads: 12218
Price: Free* [*Free Regsitration Required]
Uploader: Mezit

Codex Telleriano-Remensis russian edition. Kupriienko, Sergii ; Talakh, Viktor []. Here, European styles are integrated into the telleriano-remensks, by sometimes placing footsteps within lines, seeming to show a European style road, or by attempting to show different visual perspectives, depicting some figures from a frontal rather than a profile view, as had been the prior norm.

Joseph Florimond, Duc de Loubat, was an American philanthropist who published a series of reproductions of pre-Hispanic and colonial-era Mexican manuscripts, including the Coxex Telleriano-Remensis. Its Latinized name comes from Charles-Maurice Le Tellierarchbishop of Reimswho had possession of the manuscript in the late 17th century. Views Read Edit View history. Use this Investigation Sheet to guide students through describing the object and analyzing its meaning.

Codex Telleriano-Remensis

About How to Use this Site. By using this site, you agree to the Terms of Use and Privacy Policy. The majority of these illustrated books did not survive the Spanish conquest. Codex Telleriano-Remensis Ritual calendar page showing the feast period for the shown deity, possibly Tezcatlipoca, beginning on October 2nd, [iv] fol.

Codex Telleriano-Remensis – Wikipedia

K Resource Type s: Newsletter subscription managed by MailChimp. Codices are folded pieces of hide or bark that depict both mundane and spiritual scenes with images, symbols, and numbers. The last folios depicting the migration continue to focus on warfare and figurative representations, seen in folio 28v where a Mexica figure stands surrounded by those he has killed and dismembered.

  AVIDSEN OREA PDF

The second section is a handbook tonalamatlused during rituals and divinations, which depicts deities and forces that would influence divinations according to thirteen-day cycles.

The first section, felleriano-remensis the first seven pages, describes the day solar calendar, called the xiuhpohualli. How telleriano-rfmensis European exploration and colonization resulted in cultural and ecological interactions among previously unconnected peoples.

It documents the religious beliefs, calendar system, traditions, and history of the Tolteca-Chichimeca culture of Central Mexico. Organizationally, the Codex Telleriano Remensis is broken into three sections and represents a composite of different prehispanic forms. During the process of photographing and re-binding the manuscript for this publication, two pages were accidentally swapped, and appear as such in the facsimile: The Codex Telleriano-Remensisproduced in sixteenth century Mexico on European paper, is one of the finest surviving examples of Aztec manuscript painting.

The second section, spanning pages 8 to 24, is a tonalamatldescribing the day tonalpohualli calendar.

The third section is a history, itself divided into two sections which differ stylistically. From Wikipedia, the free encyclopedia. The first section is a calendar, showing the twenty-day periods of the Aztec year and the deities which represent the feast for each period. The civilizations of pre-Hispanic Mexico recorded their histories, religious beliefs, and scientific knowledge in books called codices. Mexica figure who has won in battle, shown through dismembered figures, shields, the place sign showing the location of the battle, and footprints to show movement, fol.

The Graphic Arts Collection of the National Museum of American History houses several telleriano-remesnis of Mesoamerican codices published for study by French, German, and Italian scholars at the turn of the 20th century. Retrieved from ” https: These first codez sections are unlike the Aubin in that they are not narrative in nature, but the final section of the Telleriano Remensis is more akin to the Aubin, containing a history that starts with the migration account in the late 12th century, moves on to a dynastic section of rulers of Tenochtitlan, and ends with the early decades of Spanish colonial presence, up to the year while the Aubin continues up to However, the history continues well into Spanish presence,showing war and disease, and depicting the spanish, ending in the year Scribes and painters busily recorded daily affairs, filling libraries and temples with books throughout Mexico and Central America.

  DFSA QI PDF

This page was last edited on 28 Octoberat Keywords cultureartheritage, civilizationtraditiontraditionalChristianityCatholicCatholicismReligionMesoamericaMexican AmericanMexicoCentral Americaindigenouspre-HispaniccodexcodicesSpanish conquestMayamissionary.

Retrieved 4 September The use of footprints is continuous to show relationships between the many figures depicted, such as on 30r.

National Standards

Artifacts, Primary Sources Date Posted: Major global trends from The Aubin adheres to the year count, grouping year signs with occasional place signs and the Nahuatl gloss, and groups years according to stops along the migration, noting how many years the Mexica stayed in a particular place before moving on.

University of Texas Press. The migration account in the Telleriano —Remensis is sparse and more complex structurally than the Aubin. Articles with French-language external links.

The Emergence of the First Global Age, 1: The Codex Telleriano-Remensis is divided into three sections. While the pages that would presumably show the founding of Tenochtitlan are missing from the Telleriano-Remensis, the preceding pages emphasize the importance of Mexica figures themselves performing acts of war and migration, rather than symbolic depictions of events. Pages 25 to 28 are an account of migrations during the ccodex and 13th centuries, while the remaining pages of the codex record historical events, such as the ascensions and deaths of rulers, battles, earthquakesand eclipsesfrom the 14th century to the 16th century, including events tellerianl-remensis early Colonial Mexico.