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My manual is in multiple languages as well.
Ibanez JEMINI Distortion Owner’s Manual
Let us know how your ibannez went at the Sacramento show. Pros That outlandish finish. Check em out if you happen to have those pedals jemnii. For example, bright consumes 49mA current, which basically makes the circular LEDs very bright for, well, bright gigging conditions. Green Channel — Drive: It’s been rumoured that Ibanez designed the Jemini to replace two of Vai’s favourite pedals: Tonally it’s vaguely similar to an Ibanez TS9 Tube Screamer but has nowhere near the same presence or aggression an original TS9 has at its disposal.
The drive control isn’t particularly interactive either as it seems to go from minimal drive and output to a slightly more satisfying grainy, heavy overdrive. Dave Weiners tone manusl for each of those are way cool. Came without a manual. This pedal is almost exclusively designed for Vai’s fans, guys who have the guitars, the amps and other ephemera associated with the man in question, or at the very least those who are beginning to get into the Vai sound.
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Can change em on the fly in seconds. I will finally get to see Steve live in Sacramento CA next month.
Jemini Distortion Manual The name says it all! Here are a series of sound clips that show how the pedal pushes an amp that’s set on the edge of break-up. It’s a harsher sound than channel one and with drive on full it has a more cutting rasp to the top-end.
This is not for discussing guitars Steve’s or otherwise. To remedy the lack of cut and high-end, the tone control now steps in: Manuxl my two sons and some friends have secured tickets to the St. I tried online, there was a PDF in multiple languages requiring a weird download which carried a virus. Channel two is a more face-melting and hair-raising affair. This is the right-hand pedal with the volume and tone jeminu 12 o’ clock and the drive at 3 o’ clock:.
Cons Slight lack of character on the overdrive channel. Save reduces the current to 23mA for darker stages, and saves battery power in so doing. Each channel has a trio of identical controls in the shape of independent drive, tone iibanez level pots.
I recently bought a couple TC Electronic pedals. Tried Ibanez two-weeks ago, and got no reply. I finally got around to buying the Jemini distortion pedal.
This is the right-hand pedal, with all controls at 12 o’ clock:.
Only pages in English are the cover and pages 3 and 4. However, with the drive control maxed out it’s not as defined as you might expect. The finish is designed along the same visual lines as Vai’s signature UV Jem guitars.
The Jemini has two very similarly voiced channels: This channel, as with the first, finds its home or ‘sweet spot’ with plenty of gain from the drive control and with the tone pushed for optimum presence and attack – this is where fans of Vai’s signature lead tone will have the most fun.
The card that came with it noted his main settings as being this: Shrouded in mystery, the highly anticipated, limited-run Jemini Distortion pedal has arrived. Got to love technology these days. Yet again with the tone rolled off the pedal gets dark very quickly, although with that the low end gets softer and more spongy in response.
You quickly notice a distinct difference between the two channels: It’s not for storing sounds or adding sparkle to the tone though – it controls the intensity of lights! Discuss Steve’s studios, your studios and gear set-ups, amps and effects here. Anyone out there know where I might find one? Image 2 of 2 The swirling colours can mean only one thing: With multicoloured swirls on the diecast zinc casing you are unlikely to trip over it onstage.
Somewhat surprisingly, this seems to be great for a no-frills grunge sound where a super defined drive tone is not the order of the day; just a big muddy note-texturing overdrive that works for thrashing out barre chords.
Its limited run appeal should not cloud its potential as it’s a very cool looking and sounding dual-channel distortion pedal that, while it takes up a fair bit of real estate on your board, may save on the cabling nonsense between two single stompers of the same creed. Image 1 of 2 Each channel has drive, tone and level controls.
All of these tones point to one man: A twin-stomper that’s had Mannual forum-junkies clamouring for details ever since it was spotted at ‘s NAMM showone glance at the inanez and signature reveals it to be the first Ibanez Steve Vai signature stompbox.